-
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Follow Budd Wilkins on Twitter
Tweets by buddwilkinsArchives
- July 2020 (5)
- June 2020 (4)
- May 2020 (1)
- April 2020 (4)
- March 2020 (2)
- February 2020 (3)
- January 2020 (2)
- November 2019 (4)
- October 2019 (5)
- September 2019 (1)
- August 2019 (1)
- July 2019 (2)
- May 2019 (1)
- April 2019 (1)
- March 2019 (3)
- August 2017 (1)
- July 2017 (1)
- June 2017 (8)
- May 2017 (3)
- April 2017 (6)
- March 2017 (4)
- February 2017 (6)
- January 2017 (3)
- December 2016 (9)
- November 2016 (1)
- October 2016 (6)
- July 2016 (1)
- May 2016 (1)
- March 2016 (1)
- February 2016 (3)
- January 2016 (6)
- November 2015 (1)
- June 2015 (1)
- April 2015 (1)
- December 2014 (1)
- November 2014 (3)
- October 2014 (4)
- September 2014 (4)
- August 2014 (5)
- July 2014 (1)
- June 2014 (2)
- April 2014 (5)
- March 2014 (1)
- February 2014 (2)
- January 2014 (2)
- December 2013 (2)
- November 2013 (3)
- October 2013 (8)
- September 2013 (2)
- August 2013 (6)
- July 2013 (7)
- June 2013 (5)
- May 2013 (5)
- April 2013 (7)
- March 2013 (4)
- February 2013 (4)
- January 2013 (4)
- December 2012 (5)
- November 2012 (5)
- October 2012 (2)
- September 2012 (3)
- August 2012 (6)
- July 2012 (8)
- June 2012 (7)
- May 2012 (3)
- April 2012 (7)
- March 2012 (9)
- February 2012 (9)
- January 2012 (10)
- December 2011 (7)
- November 2011 (10)
- October 2011 (13)
- September 2011 (12)
- August 2011 (11)
- July 2011 (8)
- June 2011 (9)
- May 2011 (9)
- April 2011 (1)
- March 2011 (10)
-
Recent Posts
-
Join 1,285 other subscribers
Blogroll
- Acidemic
- Art Decades
- Avant Greensboro
- Bright Lights Film Journal
- By John Charles
- Cinema Viewfinder
- Film International
- Last(ing) Impressions: Clayton Dillard
- Little White Lies
- Match/Cuts: Glenn Heath Jr.
- Money Into Light
- Moon in the Gutter
- Movie Mezzanine
- Not Coming to a Theater Near You
- Slant Magazine
- The Cine File: Andrew Schenker
- The House Next Door
- Video Watchdog
May 2024 M T W T F S S 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Sinister Cinema 1932-1989
Tag Archives: orson welles
The Last Picture Show (Peter Bogdanovich, 1971)
“For the members of the New Hollywood, it was a briefly opened window on revitalized filmmaking and venturesome storytelling.” Read my review of Peter Bogdanovich’s classic, playing at the Film Forum in NYC in a new 35mm print, at Slant … Continue reading
“Neverending Story”: The Immortal Story (Orson Welles, 1968)
Based on a story drawn from Isak Dinesen‘s collection Anecdotes of Destiny and originally produced for French television, which explains its abbreviated c. 58 minute run-time, Orson Welles‘ The Immortal Story originally played in stateside theaters as one half of … Continue reading
Take Two: Ernest Hemingway’s The Killers (Robert Siodmak, 1946 & Don Siegel, 1964)
[Introducing Take Two, a new feature on this blog that will explore the contextual (historical, aesthetic and otherwise) similarities and differences between two versions of the same material, whether two films based on the same source or simply original and … Continue reading
Posted in film, movie reviews
Tagged andrei tarkovsky, angie dickinson, ava gardner, billy wilder, bonnie and clyde, burt lancaster, charles mcgraw, citizen kane, cliff robertson, clu gulager, david newman, don siegel, double indemnity, dragnet, edmond o'brien, elwood bredell, ernest hemingway, film noir, german expressionism, goodfellas, jfk assassination, joe pesci, john boorman, john cassavetes, john travolta, johnny staccato, lee marvin, made-for-tv movie, mark hellinger, marshall mcluhan, miklos rozsa, nbc, nick adams, orson welles, point blank, pt 109, pulp fiction, ray liotta, robert benton, robert siodmak, ronald reagan, samuel l. jackson, the killers, touch of evil, universal studios, vgik, walter schumann, william conrad
3 Comments
Capsule Reviews: May 1 – May 8
Blow Out (Brian De Palma, 1981) – 5/5 De Palma’s masterpiece succeeds brilliantly both as paranoid political thriller and personal rumination on the profound power – the sympathetic magic – that results from putting sounds and images together. Features one … Continue reading
Posted in film, movie reviews
Tagged abel ferrara, alberto cavalcanti, anthony mann, au hasard balthazar, blow out, braveheart, brian de palma, catherine breillat, charles bukowski, charlotte rampling, chimes at midnight, chris penn, christopher walken, cinema, cinema reviews, claire trevor, coup de torchon, crazy love, dead bang, dennis o'keefe, dirk bogarde, drag me to hell, fat girl, film, film criticism, film review, film reviews, fyodor dostoyevsky, griffith jones, guiseppe rotunno, in the realm of the senses, insidious, james wan, jigoku, john alton, john frankenheimer, jose mojica marins, kiss of death, le notti bianche, liliana cavani, louis malle, luchino visconti, marcello mastroianni, maria schell, marsha hunt, maurice ronet, michelangelo antonioni, mondo macabro, monica vitti, movie, movie reviews, movies, murder a la mod, nagisa oshima, nino rota, nobuo nakagawa, orson welles, pop. 1280, raw deal, raymond burr, red desert, richard harris, richard widmark, robert bresson, sam raimi, the damned, the fire within, the funeral, the killer inside me, the night porter, they made me a fugitive, this night i'll possess your corpse, touch of evil, trevor howard, vincent gallo, white nights, wild boys of the road, william wellman
Leave a comment
Budd Wilkins At The Show 