Monthly Archives: May 2011

Capsule Reviews: May 23 – 26

The King of Marvin Gardens (Bob Rafelson, 1972) – 4/5 Trading the situational naturalism of Five Easy Pieces (1970) for a more abstract, even allegorical, approach, Marvin Gardens (named for a piece of real estate on a Monopoly board, and … Continue reading

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Capsule Reviews: May 21 – 23

The Fury (Brian De Palma, 1978) – 3/5 Hard on the heels of his 1976 hit Carrie, De Palma revisits the telekinesis/psychic powers genre with lamentably diminished returns. Granted, there are standout set-pieces – the opening abduction scene, a sequence … Continue reading

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Capsule Reviews: May 18 – 21

Il Posto (Ermanno Olmi, 1961) – 5/5 Olmi, who worked extensively in documentary films throughout his career, carries that format’s impartial aesthetic over to his depiction of Milan’s corporate dehumanization and vapidity. Following a young man – clearly a semi-autobiographical … Continue reading

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Capsule Reviews: May 16 – 18

Michael Kohlhaas (Volker Schlöndorff, 1969) – 3.5/5 English-language adaptation of the Heinrich von Kleist novella, set in Germany during the ferment of the Reformation (early 16th century). Horse-trader Kohlhaas (David Warner) runs afoul of a local aristocrat who swindles him … Continue reading

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Capsule Reviews: May 13 – 15

Something Wild (Jonathan Demme, 1986) – 3.5/5 Lashing together strands of road movie, screwball comedy and domestic thriller, Demme’s day-glo dramedy works best in its first two acts – as gamine Lulu (Melanie Griffith in a Louise Brooks wig) spots … Continue reading

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Capsule Reviews: May 9 – 12

Lured (Douglas Sirk, 1947) – 2.5/5 Given the fact that glossy melodramas (or, at least, their trappings) were Sirk’s forte, it should come as no surprise that this early noir fails for the most part to achieve, let alone sustain, … Continue reading

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Capsule Reviews: May 1 – May 8

Blow Out (Brian De Palma, 1981) – 5/5 De Palma’s masterpiece succeeds brilliantly both as paranoid political thriller and personal rumination on the profound power – the sympathetic magic – that results from putting sounds and images together. Features one … Continue reading

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Capsule Reviews: April 23 – 30

I Love You, Alice B. Toklas (1968) – 4/5 Paul Mazursky’s screenwriting debut tells the uproarious story of a square Jewish lawyer Harold Fine (Peter Sellers) who tunes in, turns on and drops out with hippie Leigh Taylor-Young. Mazursky uses … Continue reading

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Capsule Reviews: April 13 – 22

Pi (Darren Aronofsky, 1998) – 3/5 “The Aronofsky touch” – percussive editing, obsessive concern for obsessive characters, repetition as narrative detail and thematic building block, and self-mutilation as redemptive technique – is fully on display in his first feature. Harboring … Continue reading

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