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Sinister Cinema 1932-1989
Monthly Archives: April 2013
The Duellists (Ridley Scott, 1977)
“An obsessively detailed chronicle of obsession, The Duellists gets a sumptuous Blu-ray transfer from Shout! Factory, along with a solid new supplement, as well as some choice carryovers from the earlier DVD, even though there are one or two lamentable … Continue reading
Posted in film, movie reviews
Tagged blu-ray, harvey keitel, Joseph Conrad, Keith Carrdine, Ridley Scott, shout! factory, slant magazine, The Duellists
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“Mere Surmise, Sir”: Uncertainty in the Coen Brothers’ The Man Who Wasn’t There (2001) and A Serious Man (2009)
Both The Man Who Wasn’t There (2001) and A Serious Man (2009) utilize Heisenberg’s Uncertainty Principle as an organizing metaphor. Knowledge, according to this quantum mechanical interpretation, is fundamentally imprecise: the more we know about one property, the less we … Continue reading
Posted in film, movie reviews
Tagged a serious man, Book of Job, ethan coen, joel coen, Kurt Godel, The Man Who Wasn't There, Uncertainty Principle
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Something is Rotten: A Nightmare on Elm Street (Wes Craven, 1984)
“According to Shakespeare, there was something operating in Nature, perhaps inside human nature itself, that was rotten. ‘A canker,’ as he put it. Of course, Hamlet’s response to this, and to his mother’s lies, was to continually probe and dig … Continue reading
Posted in film, movie reviews
Tagged A Nightmare on Elm Street, dream in film, Johnny Depp, shakespeare, wes craven
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Perishing Dreams, Forgotten Deliriums: Dario Argento’s Suspiria (1977)
Before discussing Argento’s film, it might be illuminating to put it in the context of its source material. It is a widely known fact that Argento drew inspiration for his films (the so-called “Three Mothers” series) from the writings of … Continue reading
Posted in film, movie reviews
Tagged dario argento, Jessica Harper, Suspiria, Suspiria De Profundis, Thomas De Quincey, Three Mothers
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Eddie: The Sleepwalking Cannibal (Boris Rodriguez, 2012)
“The ramifications of killing for art’s sake have long been fair game for film treatment, especially in movies that tap the horror-comedy vein, whether the target of the humor is the reception of the resultant artworks (Roger Corman’s A Bucket … Continue reading