-
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Follow Budd Wilkins on Twitter
Tweets by buddwilkinsArchives
- July 2020 (5)
- June 2020 (4)
- May 2020 (1)
- April 2020 (4)
- March 2020 (2)
- February 2020 (3)
- January 2020 (2)
- November 2019 (4)
- October 2019 (5)
- September 2019 (1)
- August 2019 (1)
- July 2019 (2)
- May 2019 (1)
- April 2019 (1)
- March 2019 (3)
- August 2017 (1)
- July 2017 (1)
- June 2017 (8)
- May 2017 (3)
- April 2017 (6)
- March 2017 (4)
- February 2017 (6)
- January 2017 (3)
- December 2016 (9)
- November 2016 (1)
- October 2016 (6)
- July 2016 (1)
- May 2016 (1)
- March 2016 (1)
- February 2016 (3)
- January 2016 (6)
- November 2015 (1)
- June 2015 (1)
- April 2015 (1)
- December 2014 (1)
- November 2014 (3)
- October 2014 (4)
- September 2014 (4)
- August 2014 (5)
- July 2014 (1)
- June 2014 (2)
- April 2014 (5)
- March 2014 (1)
- February 2014 (2)
- January 2014 (2)
- December 2013 (2)
- November 2013 (3)
- October 2013 (8)
- September 2013 (2)
- August 2013 (6)
- July 2013 (7)
- June 2013 (5)
- May 2013 (5)
- April 2013 (7)
- March 2013 (4)
- February 2013 (4)
- January 2013 (4)
- December 2012 (5)
- November 2012 (5)
- October 2012 (2)
- September 2012 (3)
- August 2012 (6)
- July 2012 (8)
- June 2012 (7)
- May 2012 (3)
- April 2012 (7)
- March 2012 (9)
- February 2012 (9)
- January 2012 (10)
- December 2011 (7)
- November 2011 (10)
- October 2011 (13)
- September 2011 (12)
- August 2011 (11)
- July 2011 (8)
- June 2011 (9)
- May 2011 (9)
- April 2011 (1)
- March 2011 (10)
-
Recent Posts
-
Join 1,285 other subscribers
Blogroll
- Acidemic
- Art Decades
- Avant Greensboro
- Bright Lights Film Journal
- By John Charles
- Cinema Viewfinder
- Film International
- Last(ing) Impressions: Clayton Dillard
- Little White Lies
- Match/Cuts: Glenn Heath Jr.
- Money Into Light
- Moon in the Gutter
- Movie Mezzanine
- Not Coming to a Theater Near You
- Slant Magazine
- The Cine File: Andrew Schenker
- The House Next Door
- Video Watchdog
Sinister Cinema 1932-1989
Monthly Archives: December 2011
The Darkest Hour (Chris Gorak, 2011)
“In a year-end season stacked deep with worthwhile films, what possible incentive could there be for submitting to The Darkest Hour‘s utter pointlessness?” Read my review of this abysmal new release at Slant Magazine.
Posted in film, movie reviews
Tagged chris gorak, emile hirsch, max minghella, olivia thirlby, rachael taylor, the darkest hour, timur bekmambetov
Leave a comment
Last Year at Marienbad (Alain Resnais, 1961)
“The poster child of cinematic modernism, one of those early-’60s event films that seemed to break every rule classical Hollywood ever codified.” Read my review of Last Year at Marienbad, playing for a limited engagement at the Film Forum, at … Continue reading
Horror Express (Eugenio Martin, 1972)
“All aboard for Severin’s lovingly packaged Blu-ray of this early-’70s goofball odyssey.” Read my review of Horror Express, out recently on a Blu-ray/DVD Combo Pack from the good folks at Severin Films, at Slant Magazine.
Tokyo Drifter (Seijun Suzuki, 1966)
“Wander along with Tokyo Drifter‘s pop-art hijinx, presented in eye-popping 1080p by the Criterion Collection.” Read my review of the stunning new Blu-ray transfer of Tokyo Drifter, out yesterday from the Criterion Collection, at Slant Magazine.
Posted in film, movie reviews
Tagged criterion collection, seijun suzuki, slant magazine, tetsuya watari, tokyo drifter
Leave a comment
The Taking of Pelham One Two Three (Joseph Sargent, 1974)
“Fox’s barebones Blu-ray of The Taking of Pelham One Two Three barrels into your living room in bold 1080p.” Read my review of The Taking of Pelham One Two Three, released early this month on Blu-ray, at Slant Magazine.
The Wages of Fear (Henri-Georges Clouzot, 1951)
“The Wages of Fear contains tension-fraught stretches of ‘pure cinema’ that probably gave even the Master cold sweats, but darkly humorous political satire directed at incipient global capitalism and a ballsy existentialism also suffuse Clouzot’s film.” Read my review of … Continue reading
Posted in film, movie reviews
Tagged charles vanel, film forum, henri-georges clouzot, slant magazine, the wages of fear, vera clouzot, yves montand
Leave a comment
Three Colors (Krzysztof Kieslowski, 1993-4)
“Krzysztof Kieślowski’s Three Colors remains a vibrant, mesmerizing experience, presented in superb 1080p and expertly augmented with a bounteous spectrum of special features by the Criterion Collection.” Read my review of the stunning new Blu-ray tranfer of Kieslowski’s Three Colors … Continue reading
Posted in film, movie reviews
Tagged blue, criterion collection, irene jacob, julie delpy, juliette binoche, krzysztof kieslowski, red, slant magazine, three colors, white
1 Comment