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Tag Archives: joe pesci
Take Two: Ernest Hemingway’s The Killers (Robert Siodmak, 1946 & Don Siegel, 1964)
[Introducing Take Two, a new feature on this blog that will explore the contextual (historical, aesthetic and otherwise) similarities and differences between two versions of the same material, whether two films based on the same source or simply original and … Continue reading
Posted in film, movie reviews
Tagged andrei tarkovsky, angie dickinson, ava gardner, billy wilder, bonnie and clyde, burt lancaster, charles mcgraw, citizen kane, cliff robertson, clu gulager, david newman, don siegel, double indemnity, dragnet, edmond o'brien, elwood bredell, ernest hemingway, film noir, german expressionism, goodfellas, jfk assassination, joe pesci, john boorman, john cassavetes, john travolta, johnny staccato, lee marvin, made-for-tv movie, mark hellinger, marshall mcluhan, miklos rozsa, nbc, nick adams, orson welles, point blank, pt 109, pulp fiction, ray liotta, robert benton, robert siodmak, ronald reagan, samuel l. jackson, the killers, touch of evil, universal studios, vgik, walter schumann, william conrad
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Voluptuous Immobility
The Cult of Death in The Brotherhood, The Leopard and The Godfather Trilogy Martin Ritt’s The Brotherhood (1968) can be situated as a middle term between Luchino Visconti’s The Leopard (1962) and Francis Ford Coppola’s Godfather Trilogy (1972, 1974, 1990). … Continue reading
Posted in film
Tagged Al Pacino, burt lancaster, cinema, cinema reviews, film, film criticism, film review, film reviews, francis ford coppola, goodfellas, joe pesci, kirk douglas, luchino visconti, mafia film, marlon brando, martin ritt, mob, movie, movie reviews, movies, organized crime, robert deniro, talia shire, the brotherhood, the godfather trilogy, the leopard
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Budd Wilkins At The Show 