“The first 15 minutes of part three of Twin Peaks: The Return play like one of David Lynch’s hermetically sealed surrealist short films. Agent Cooper’s (Kyle MacLachlan) plunge through space-time comes to an abrupt end when he crash-lands on a rivet-studded metal balcony overlooking a dark purple sea.”
Read my recap of Twin Peaks: The Return, “Part 3” at The House Next Door.
“Just like that gum you like, Twin Peaks is back in style. And that style is unadulterated, late-period David Lynch. Sometimes it’s the casting of seemingly minor parts, sometimes just a bit of stray imagery, but Lynch and co-creator Mark Frost somehow manage to evoke moments from Lost Highway and, in particular, Mulholland Drive at least as often as they do the original TV series, which ran on ABC from 1990 to 1991.”
Read my first recap of Twin Peaks: The Return for The House Next Door, the official blog of Slant Magazine.
“On April 8, 1990, ABC broadcast the pilot episode of Twin Peaks, cult filmmaker David Lynch’s initial foray into network television. Lynch tapped co-creator Mark Frost, who had made his bones writing teleplays for edgy yet realistic fare like Hill Street Blues, to ensure a sturdy dramatic backbone was securely in place for a series Lynch was wont to describe as ‘Peyton Place on acid.'”
For Slant Magazine, I rank and (more importantly) write about every episode of Twin Peaks from Seasons 1 and 2.
“Claude Chabrol’s ironic and elegiac take on Shakespeare’s Hamlet makes its Region A Blu-ray debut with a gorgeous transfer and little else.”
Read the review over at Slant Magazine.
“Italian maestros of the macabre Riccardo Freda and Mario Bava team up for a curious (and sometimes unwieldy) fusion of sci-fi and gothic horror elements.”
Read the review on Slant Magazine.
“Juzo Itami’s “ramen western” Tampopo is a zesty concoction that investigates the often surreal intersections of sex, death, and other human appetites.”
Read the rest of the review at Slant Magazine.