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Sinister Cinema 1932-1989
Tag Archives: orson welles
The Last Picture Show (Peter Bogdanovich, 1971)
“For the members of the New Hollywood, it was a briefly opened window on revitalized filmmaking and venturesome storytelling.” Read my review of Peter Bogdanovich’s classic, playing at the Film Forum in NYC in a new 35mm print, at Slant … Continue reading
“Neverending Story”: The Immortal Story (Orson Welles, 1968)
Based on a story drawn from Isak Dinesen‘s collection Anecdotes of Destiny and originally produced for French television, which explains its abbreviated c. 58 minute run-time, Orson Welles‘ The Immortal Story originally played in stateside theaters as one half of … Continue reading
Take Two: Ernest Hemingway’s The Killers (Robert Siodmak, 1946 & Don Siegel, 1964)
[Introducing Take Two, a new feature on this blog that will explore the contextual (historical, aesthetic and otherwise) similarities and differences between two versions of the same material, whether two films based on the same source or simply original and … Continue reading
Posted in film, movie reviews
Tagged andrei tarkovsky, angie dickinson, ava gardner, billy wilder, bonnie and clyde, burt lancaster, charles mcgraw, citizen kane, cliff robertson, clu gulager, david newman, don siegel, double indemnity, dragnet, edmond o'brien, elwood bredell, ernest hemingway, film noir, german expressionism, goodfellas, jfk assassination, joe pesci, john boorman, john cassavetes, john travolta, johnny staccato, lee marvin, made-for-tv movie, mark hellinger, marshall mcluhan, miklos rozsa, nbc, nick adams, orson welles, point blank, pt 109, pulp fiction, ray liotta, robert benton, robert siodmak, ronald reagan, samuel l. jackson, the killers, touch of evil, universal studios, vgik, walter schumann, william conrad
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Capsule Reviews: May 1 – May 8
Blow Out (Brian De Palma, 1981) – 5/5 De Palma’s masterpiece succeeds brilliantly both as paranoid political thriller and personal rumination on the profound power – the sympathetic magic – that results from putting sounds and images together. Features one … Continue reading
Posted in film, movie reviews
Tagged abel ferrara, alberto cavalcanti, anthony mann, au hasard balthazar, blow out, braveheart, brian de palma, catherine breillat, charles bukowski, charlotte rampling, chimes at midnight, chris penn, christopher walken, cinema, cinema reviews, claire trevor, coup de torchon, crazy love, dead bang, dennis o'keefe, dirk bogarde, drag me to hell, fat girl, film, film criticism, film review, film reviews, fyodor dostoyevsky, griffith jones, guiseppe rotunno, in the realm of the senses, insidious, james wan, jigoku, john alton, john frankenheimer, jose mojica marins, kiss of death, le notti bianche, liliana cavani, louis malle, luchino visconti, marcello mastroianni, maria schell, marsha hunt, maurice ronet, michelangelo antonioni, mondo macabro, monica vitti, movie, movie reviews, movies, murder a la mod, nagisa oshima, nino rota, nobuo nakagawa, orson welles, pop. 1280, raw deal, raymond burr, red desert, richard harris, richard widmark, robert bresson, sam raimi, the damned, the fire within, the funeral, the killer inside me, the night porter, they made me a fugitive, this night i'll possess your corpse, touch of evil, trevor howard, vincent gallo, white nights, wild boys of the road, william wellman
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