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Tag Archives: mark hellinger
“No Exit”: Brute Force (Jules Dassin, 1947)
This explosive, powerhouse prison film effectively reunites a large number of cast and crew from the previous year’s The Killers: producer Mark Hellinger, composer Miklos Rózsa, screenwriter Richard Brooks (uncredited for his Killers work), star Burt Lancaster and actors Edmond … Continue reading
Posted in film, movie reviews
Tagged asphalt jungle, battle of alcatraz, brute force, burt lancaster, charles mcgraw, edmond o'brien, existentialism, hamlet, hume cronyn, jean-paul sartre, jules dassin, mark hellinger, miklos rozsa, richard brooks, richard wagner, sam levene, tannhauser overture, the killers, william shakespeare
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Take Two: Ernest Hemingway’s The Killers (Robert Siodmak, 1946 & Don Siegel, 1964)
[Introducing Take Two, a new feature on this blog that will explore the contextual (historical, aesthetic and otherwise) similarities and differences between two versions of the same material, whether two films based on the same source or simply original and … Continue reading
Posted in film, movie reviews
Tagged andrei tarkovsky, angie dickinson, ava gardner, billy wilder, bonnie and clyde, burt lancaster, charles mcgraw, citizen kane, cliff robertson, clu gulager, david newman, don siegel, double indemnity, dragnet, edmond o'brien, elwood bredell, ernest hemingway, film noir, german expressionism, goodfellas, jfk assassination, joe pesci, john boorman, john cassavetes, john travolta, johnny staccato, lee marvin, made-for-tv movie, mark hellinger, marshall mcluhan, miklos rozsa, nbc, nick adams, orson welles, point blank, pt 109, pulp fiction, ray liotta, robert benton, robert siodmak, ronald reagan, samuel l. jackson, the killers, touch of evil, universal studios, vgik, walter schumann, william conrad
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